Tim and Jen struggle to make sense of one of the most persistent cultural artifacts of 9/11, Loose Change, as well as the lasting damage done by the Bush administration.
Jen and Tim revisit the greatest unfairly-cancelled single-season sci-fi western TV series of all time: The Adventures of Brisco County, Jr.! If you thought we were going to say “Firefly” you have obviously never listened to our show before. Also Jen is finally able to air her feelings about Dixie for a mass audience. Spicy!
Tim and Jen welcome a special guest to discuss a fan edit of a beloved horror classic, The Wicker Man: The Summerisle Cut! Listen for yourself and decide if you want to leave angry comments on archive.org!
Jen and Tim agree and disagree on an also-ran Nicolas Roeg movie, Eureka! Jen really gets the bit between her teeth in this one and Tim demonstrates almost saintly patience while she babbles.
Cool World is not cool. Emma Bowers (@hyenasandgin) returns to commiserate with Tim and Jen about a very bad animated feature. Turns out this movie did significant psychological damage to young Tim.
Bakshi puts in this pissing stuff, and toilet stuff. I didn’t like that sex attitude in it very much. It’s like real repressed horniness; he’s kind of letting it out compulsively.
What if Black Panther had been the pilot for a TV show, but when they went to series they took out Wakanda and most of the black people? You’d have M.A.N.T.I.S.! HYST superfan mugrimm joins Tim and Jen to talk about what was lost when the Sam Raimi/Sam Hamm/Rob Tapert pilot became a politically toothless show with white sidekicks.
The documentary Jen couldn’t remember the name of is Call Me Lucky, and it was directed by Bobcat Goldthwait. It’s an account of the life of satirist and activist Barry Crimmins.
She also sorta muffed the description of Ken Loach’s teleplay Cathy Come Home, which horrified the British public with its account of a homeless couple (to little material effect, according to Loach). This short article describes the production and draws from some of the news coverage of the time.
One valiant effort to market the movie: Krull-themed weddings! To our knowledge, none of the brides or grooms have come forward to admit to their participation. But it’s hard to see how the movie missed with marketing concepts this good:
One [marketing gimmick] suggests approaching the local bakery about creating special pastries in the shape of the Glaive and dubbing them the punny ‘Krullers’. “Everyone knows what a cruller is…a tasty glazed donut. Now comes the Kruller…a tasty Glaived donut.
ERRATA: Jen speculates in the episode about the reason for the lack of cultural impact the film made in the United States. It turns out there’s a good reason. Planet of Storms didn’t arrive in the US in official, unadulterated home video form until some time in the 90s. As we mentioned, the film was cannibalized for two different American productions. One was Voyage to the Prehistoric Planet, with new footage directed by eventual New Queer Cinema trailblazer Curtis Harrington. The other, as we mentioned in the episode, was Voyage to the Planet of Prehistoric Women. They both suck.
The Astrologer had a theatrical run from at least 1976 through part of 1977, but was considered lost for many years. It eventually resurfaced in 2021 on YouTube. Paramount appears to have a copyright claim on the picture (amazing that they’d even want it), but that doesn’t mean it can’t be seen if you know where to look.
The story of auteur Craig Denney is as mysterious as it is surprising. Jim Vorel has a good rundown at Paste Magazine. Long story short, Denney made a bold play for notoriety, only to disappear sometime in the 80s. No one knows when he died, if he’s actually dead, or even his real birthdate! And that’s just the start of the confusion! From the article:
Denney’s friend and associate Arthyr Chadbourne (who plays business manager Arthyr in the film) has disputed these figures, suggesting instead at L.A. screenings/Q&As that Denney was notorious for exaggeration and self-aggrandizing. As Chadbourne reportedly said then, “Craig was wonderful with hype. Everything was millions … you should read some of the things we used to send out to investors.”
Jim Vorel, Paste Magazine
Vorel’s article draws from this well-researched piece by Sean Welsh over at Matchbox Cine. Did Craig Denney fake his death? Where the hell did he get all his money? Which of his claims about his life were true? Was he even as successful as he claimed he was?
