Get Russ Burlingame’s love letter to the film, Best Movie Ever! for 30% off with discount code SEENTHIS over at JosieBook.com! This comprehensive oral history of the film covers the beloved source comic, the production of the film, and the fierce devotion it inspired and continues to inspire in fans.
The reason Jen couldn’t find anything up-to-date on the lawsuit against Rosario Dawson is because it was dismissed in 2021.
Putting the “psycho” in psycho-sexual (also the “sexual”)
Tim and Jen host the freakiest guest they know, the lovable Bitter Karella of Midnight Pals fame, to chat about one of the freakiest movies she knows, Dr. Caligari!
Friend of the show Josh Olson does indeed appreciate the corniness of this movie— so much so that you can hear him join comedian Patton Oswalt and filmmaker Erik Nelson for the audio commentary on the Kino Lorber blu-ray!
If you’re dying to read an academic paper on The Oscar, have at it.
The offensive Aussie show Jen alluded to that also got cancelled during the first episode was Australia’s Naughtiest Home Videos. You can see the singular episode at the Internet Archive!
Hill also talked about the controversy surrounding The Warriors in an interview for Esquire:
I think the reason why there were some violent incidents is really very simple: The movie was very popular with the street gangs, especially young men, a lot of whom had very strong feelings about each other. And suddenly they all went to the movies together!
Chris Person of the worker-owned tech news site Aftermath dug up the previously unavailable special Ricky Jay and His 52 Assistants in pristine broadcast resolution and made it available to the world once again. Read an interview with Person about the process and the importance of archiving conducted by David J. Roth and Dan McQuade of Defector, and watch the special at the Internet Archive. Fun fact: David Mamet directed the special!
Errata: Jen attributed the anecdote about producer Charles K. Feldman removing the pay-offs to the jokes in the script to Joe McGrath, but it actually came from another director credited on the film, Val Guest.
“Casino Royale’s relationship to Bond is only emblematic; it is a prismatic translation of Fleming’s milieu, not a linear adaptation. And it remains, even today, a wry and provocative sociopolitical satire. The often criticized inconsistencies of the film’s multiple James Bonds, including the banal 007 of Terence Cooper, brought in to cover Sellers’s unfinished characterization, intentionally work to confuse the issue of Bond, to overwork the paradigm until it has no value. As Walter Benjamin in his influential essay “Art in the Age of Mechanical Reproduction” would have it, the original artwork, with its auratic value, has been replaced by accessible but worthless copies. Here, the most unique icon of the era is intentionally made common – a fashion, a fad, a façade: the multiple Bonds are all copies of a first copy, Connery’s Bond.”
The creepshot photographer Jen couldn’t remember the name of was Miroslav Tichý. You can see many of his surreptitious and admittedly beautiful works at ArtNet.
