The offensive Aussie show Jen alluded to that also got cancelled during the first episode was Australia’s Naughtiest Home Videos. You can see the singular episode at the Internet Archive!
Hill also talked about the controversy surrounding The Warriors in an interview for Esquire:
I think the reason why there were some violent incidents is really very simple: The movie was very popular with the street gangs, especially young men, a lot of whom had very strong feelings about each other. And suddenly they all went to the movies together!
Chris Person of the worker-owned tech news site Aftermath dug up the previously unavailable special Ricky Jay and His 52 Assistants in pristine broadcast resolution and made it available to the world once again. Read an interview with Person about the process and the importance of archiving conducted by David J. Roth and Dan McQuade of Defector, and watch the special at the Internet Archive. Fun fact: David Mamet directed the special!
Errata: Jen attributed the anecdote about producer Charles K. Feldman removing the pay-offs to the jokes in the script to Joe McGrath, but it actually came from another director credited on the film, Val Guest.
“Casino Royale’s relationship to Bond is only emblematic; it is a prismatic translation of Fleming’s milieu, not a linear adaptation. And it remains, even today, a wry and provocative sociopolitical satire. The often criticized inconsistencies of the film’s multiple James Bonds, including the banal 007 of Terence Cooper, brought in to cover Sellers’s unfinished characterization, intentionally work to confuse the issue of Bond, to overwork the paradigm until it has no value. As Walter Benjamin in his influential essay “Art in the Age of Mechanical Reproduction” would have it, the original artwork, with its auratic value, has been replaced by accessible but worthless copies. Here, the most unique icon of the era is intentionally made common – a fashion, a fad, a façade: the multiple Bonds are all copies of a first copy, Connery’s Bond.”
The creepshot photographer Jen couldn’t remember the name of was Miroslav Tichý. You can see many of his surreptitious and admittedly beautiful works at ArtNet.
Wayne Barlowe‘s Hell is so fucking cool that even James Cameron, Clive Barker, and Guillermo del Toro have raved about it. See it at the artist’s website.
Preminger and singer/songwriter Harry Nilsson appeared on the August 30th, 1968 episode of Playboy After Dark to promote, quixotically, their latest film. Nilsson seems to know what’s up, triggering Preminger’s always-present wrath.
