125 – House

Miki Jinbo as the newly-dead Kung Fu in House (1977)

Tim and Jen are overwhelmed by the raw charisma of Jacques from the Seeking Derangements podcast in a truly chaotic episode nominally about the chaotic 1977 film House!

Hear the whole episode at our Patreon and get access to more than 50+ bonus episodes!

Via Senses of Cinema, read a retrospective on Nobuhiko Obayashi’s career that also serves as a defense of his filmmaking style.

You can see a sampling of Obayashi’s commercial work on YouTube. Don’t miss the MANDOM spot starring Charles Bronson.

124 – Outland

Lobby card featuring Sean Connery in a scene from Outland, 1981

Jen and Tim revisit an old favorite, Peter Hyams’s “High Noon in Space,” aka Outland!

Jen is incorrect when she asserts that John Wayne was considered for the part of Marshal Will Kane in High Noon; Kramer and screenwriter Carl Foreman wanted a hot young star like Brando or Gregory Peck. Wayne, along with other Hollywood reactionaries including Hedda Hopper, did pressure Gary Cooper into withdrawing from a proposed production company headed by High Noon screenwriter and HUAC target Carl Foreman.

The story of High Noon and Carl Foreman is told at length in Glenn Frankel’s book High Noon: The Hollywood Blacklist and the Making of an American Classic. You can read an excerpt on the Vanity Fair website.

By the way, you can browse the Outland press kit!

For more sci-western fun, try our episode on The Adventures of Brisco County, Jr.!

123 – Apple TV+

Apple TV+

Tim and Jen shred a selection of programs from awful neolib also-ran streaming service, Apple TV+!

Hear the whole episode at our Patreon and get access to more than 50+ bonus episodes!

Have you seen…Tim’s website?

Jen alludes at one point to the “Unicorn Killer,” Ira Einhorn. He claimed to have helped found Earth Day, but his account has been disputed. Conservatives still love to evoke him as emblematic of leftist depravity. He died in prison in 2020.

Jen also touched on the much-muddied concept of “emotional labor,” as originally described by sociologist Arlie Hochschild. Read Sharmin Tunguz’s article on how the term has been misappropriated.

When emotional labor has left the professional sphere and has entered the domestic realm; when it is used to describe a household list of domestic chores, whether or not those chores are done happily or grumpily, it has become diluted to the point of being in danger of losing its meaning. Yes, women do tend to shoulder more emotional labor in the workplace, and more attention on its health and professional repercussions means more attempts to alleviate it. But when contexts morph, and meanings change, are we still talking about the same thing?

Sharmin Tunguz via Psychology Today

Don’t miss our Nothing But Trouble episode with Matt Christman, by the way!

122 – Gothic

Natasha Richardson and Kiran Shah in Gothic (1986)
this is what happens when you buy from MyPillow

Jen welcomes Julie once again to talk about the historical background of a phantasmagoric Ken Russell favorite, Gothic!

Hear the whole episode at our Patreon and get access to more than 50+ bonus episodes!

The movie Jen fails to identify is, of course, Catherine Breillat’s 2004 Anatomy of Hell, starring Amira Casar and Rocco Siffredi.

Thomas Dolby enlisted vocalist Timothy Spall (!) for a song inspired by the film Gothic, “The Devil is an Englishman”

Hear Steve Hackett’s cover of “The Devil is an Englishman” from his 2003 album, To Watch the Storms.

Stephen Volk, the screenwriter of Gothic, has a page devoted to the film on his website. Lots of cool photos, videos, and other reminisces to be had there.

Speaking of, we also discussed another work by Stephen Volk, the controversial BBC special Ghostwatch. Give it a listen!

121 – Fight Club

LEGO Fight Club soap by Tim Heiderich (timtoonstudio on Instagram)

Jen and Tim talk about a movie that people still like to misinterpret wildly even twenty years later: Fight Club!

Read Alexander Walker’s excoriating review from the Evening Standard.

‘The movie gradually makes its analogy with Nazi Germany even more overt. Pitt and Norton raid liposuction waste dumpsters at night, retrieving “the richest cream fat in the world”, that’s been siphoned out of the obese, and rendering it into red soap tablets they then flog to exclusive boutiques. It’s unbelievable any film would dare use, even as such a sick gag, a sequence reminiscent of that chapter of the Holocaust in which Nazi thoroughness rendered the Jews down into similar, no doubt less pricy soap bars. But Fight Club has no reticence, no memory, no shame.’

Alexander Walker on Fight Club

The artist Tim evoked but couldn’t name while discussing performance art is Tehching Hsieh. Watch his reminiscence on his remarkable work One Year Performance 1980 – 1981 (Time Clock Piece) on Vimeo.

Also, don’t miss our recent discussion of the unloved Aykroyd joint Nothing But Trouble with Chapo Trap House’s Matt Christman!

120 – Nothing But Trouble with Matt Christman

Nothing But Trouble (1991) glitch
p̵̨̨̡̧̛̛̜̻̞̲̞͖͔͇̩͕̗̳̤̪̞̞͔̩̩͎̮̤̗̖̙̼͇̺̤̣͖͚̘̦͚̲̜͇̹̩̠̝͇̭̦̱̼̳̜̻̜̦̫̤̤̲̫̝͕̤͎̪͈̜̯̰̼̖̙̮̣̗̘̯̝̞̠͍̬͖̯͇̱̞̙̪̜̬͓͈̪̟̠͉͓̯̙̠͎̈́͆͂̆́͑̅͊̿͋̽̒̽̄̀̀̇̍̌̀̓̈̓̾͋̓̒͗̂̈́͌͗̑͛͒̈́͆̔̂͋̈̋̔̆͌̈͑̚͘͜͜͜͝͝͠ͅͅư̸̡̧̨̡̡̡̧̢̡̡̢̧̧̨̢̧̧̧̢̛̛̠̣̜̬̳̣̤̲̠͓͇̣̬̦̺̱͉̻̖͍̙͙̘͍͚̙͓͓̪͈̳̻̗̱̩̭̟͈̯̜̰̻͕͈̜̟̜̦̮͕̳͓̞͍͚̤̲̗̮͉̣̮̬͖̮̳̻̖͍̟̟̲͉̣̹̹͕̙̖̺͙͉̥͇͈̼͈̼̠̙͕̫̫͍̝͔͓̺̫͚͙͈̯̲̹̳͉̞̹̖̙͉̠͎͚̤̺̟̝̹̫̪̳͈̟̫̠̝̠̝̩͓̤͍̥̼͎̦̩͔̤̯̣̭̪̜̱̰͓̖͍̥̯͉̼̘̘̣̹̹̑̂̈́͆̉͒͋̇͐͗̉̀̆̂͑͂͊̅̒͊͒͋͛̀̆̐͊̀̃̇̉̈́̂̃́̀̇̑̇̐̑̉̒̒͆̓̅̇͗̿͒̌̐̑̇͛̔͛̊̍̍̀̍̿̿̾̾͆̈̾̎̍͗̃̿͛̎̾̅̐̃̽̂͂̀͛͐̇͋̾͋̓́̾̏̉̆̎͛̾̑̓͂̍͘̚̚̚͘̕͘͘͘͘̚̚̕͜͜͜͜͠͝͠͝͠͝͝͝͝͝͠ͅͅͅͅͅd̶̨̨̡̧̨̡̛̛̛̛̛̛̛͍̱͍͈͕͖̰͚̟̮̗̞͖̠̰̹̲̝̥͙̘̩̫̥͚̙͚͇͓̻̩̠̞͚̬̙̮̘̱̗͍͈̝̗̱̳̮̻̩̲̻̗̺̹̫̥̪̝̮̺̥̻̩̩̾̀̎̽́̂͆͐̄̈́͐̀̈́̐͒̀͂̍̃̔̌̓̿̒̒́͐̄́̀͛̓̿̆̃͆̈́̽̓̆̊̂͐̌̿̍̋̀͛͑̀̇̀̇̅̆̎̆̌̅̾̌͋͋̿͂̔̽̐̍͑͑̑̈͐̌͌̒̇́̂̽̆͒̍͋̇̃̓̆̈͐͐̈͌͆̽̔̽̋̍̎̽̑̌́̋̌̎̄͑̄́̃̄̓̓̏͒͑̑͋̐̅́͊̇̒̆͒̑̽͐͂̀̌̌͛̑͂̒͐͑̎͗̌̓͌͗̍̍̇̇̿̄͛̀̀̎͑̊͛͆͛̐̋̒͑͒̊̕̚͘͘̚̚̕̚̚̕̕͜͜͜͝͠͝͝͝͝͝͠͝͝͝͠͝ͅͅ ̷̧̡̧̧̡̧̧͕͍̠̠̱͇̝͖̜͕͚̞͎̪͓̤̩̺͈̺͕̰͎͔̭̺̭̖̜̞̠͍̟̘̞͓̙̳̬͍̮͉̞̳͇̭̠̭̼̮̞̩̭̲̹̣̪̪̩͔̻̩͖̩̻̖̤̟̺̜͉͎͚̦̜̰͔̺̟͚͈̱̔̇̋̈́̀̆̈́̌͆̒́̒͜͜ͅͅc̴̡̢̛̛̛̛̛̝͉̰͕̪̻̺͙̹̭͔̠͓̫̪͚̜͚͎̗͊̐͌̄̿͌̏̃̏̀̓̒̌̈̇̾́̑̏̀̅͐̀̓̌͌͗̈́̈̿̈́͗́͊͊̉͋̊̔͛̓͒͐͂̏̅͋̌̽̈͒̑͑̆̑̈̑̑͗̔̔̇̔̔̃̇̂͛̊͛͗̇̏͛̊̋͆̆̒͂͛̑̂̌́̀̉͋̎͗̏̏̔̅̆̊́͆̃̂̒̾͛̽̈̾̍̈̾͐͑̔͂̓̒͊̊̑̐́̎̉͒͋́̑̂̽̾̐̃͒̊͒̌̊̍̿̋̈̊̐̍̒͂̚̕̚͘͘̚͘̕̚͘̕̕̕̚̕͘̚͜͝͝͠͝͝͝͝͝͝͠͝ơ̷̧̧̧̢̡̢̡̧̡̨̧̛̛̛̛̛͓̹̜͔͎̙͈͕͙̯͕͕͚͙̻͚̠͍̙̗̻͍̹̦͖̘̹͎̭̮̜̭͚͔͖̮̪̺̹̖̣͎͎̘̝̲̦̼̼̜͍̤̭̬͚͚̯̖͙͍̮̻͈̳͍̬͙͓̬̼̳̜̩̦̩̗͓̮̝̰̯̙̫̼̹͉̺̠̤̦̬̦̯̱̞̗̬̺̦̠̭̰̣̤̰̞̞̱̆̉͆͒̓̈́̑̒̎̃̔͑̾͐̈̑͑͆̌͐͒͌̑̉̓̌̒̀͆͆̀́̿̍͒̍͛̀̌̽͐̄̆̀͑̾̐͂́́͂̃̀̆̔̾̀̌̌̃̐̃́̎͛̔̾́̆̂̐̈̇̅̄͌͋̃̓͋̿͛̆̔̔̒̋͂̋̊͗͑̑̌̐͛͋̏́̂̔͋͛̂̐̊̀̊̾̌̃͒͐̋̆͒̔̉͐͆̾̊̍͋̎̂̿̌̔̋̊͆̊̆̅̍̋̕̕̕͘̕̕̕̚̚̕͘̕̚̕̚̕͘͜͜͜͜͜͝͠͝͝͝͝͝͝͝͝͝͝͝͝͠ͅͅͅͅl̷̢̡̧̧̧̢̡̡̧̨̢̡̨̧̡̡̢̨̧̛̛̛̛̖̪̘̳̮͖͈̜̰̼̱͚͚͚͇̩͎͚͓̟̬̲̦̤̞̖͈̝̼̺̠̩̘͓͓̫̱̪̳͓̠̯̫̤̭͈͖̺̲̪̟͎̭̰͚̰̠̺͇͈̜̟̩̠͚͔̱͍̣͓͖̮̲͍̙͈̺̠͓̮͍͚̥̤̹̠̙͚͉̬̪̩̘̲̣͎̖̣̠̳̙̞̜͎̘͙͓͚̫̙̬̥̱̝̗̪̙̱̱͈̮̻̝̤̬̟͕̣̻̫̭̘̭͎͙̙̯̬̬̭̞̪̺̩̠̩̓̇͛̈́̏̎͆͌̑̍̇̔͛̿͊̐̔͑̀̈́̈͆̉̋̇͆́̀̏̀̃̅̆̋̿͆̏̿́̉̀̏̎͆́̉͆̆͛͛̈́͒̇̋̎̇͌̌̄͆̿̏͌́͊́̓͋̌͑͂͂̂͛̋̿͋͆̍̇̏̄̇̋̉̆͗́̏̇͆͆̊́̾̂̾̐̏̌̾̀̿̊͗̅̀̽͗̾͑̍̑͌̌̊͋̏͌̉̆̇̿̋̐͒͛͒̐̽̕̚̕̕̚̚͘͜͜͝͝͠͝͝͠͝͝͝ͅͅͅl̴̨̢̢̨̨̢̧̨̧̨̨̧̧̧̢̨̨̡̡̢̢̡̢̡͎̰͎̗͕͉̼̳̯̜̰̪͙̭̮̞͙̦̟̹̲̥̦̠̗͚͎̪̦̞̭͈̹̺̪̻͕̞̩͎͈͇̠̬̳̗͇̝̫͇̺̜̳̫̰̥̘̞̪̞̪̟̫̠̙̞̺̯̭̲̦͙̪͉̪͓̥̖̫̟̗͎̜̠̦͓̰̤͈̹̙̭͇͎̺̦̣̭̦͉͕̖̼̣̟̲̗̥̰̞̙̯͚̲̩̮͔͍̥̥̜̱̼̫̜̬̗̖̮̻̗͉̬̠̤̼͓̮͇̪̜̭̠̳̗͉̼̻̗̩̯̩̩̭̜̼̠̝̩͈̳͚͇͙͚̭̠͚͈̣̼̩̱̥͍̫̝̙̻̝̥̹̦͌̑͌͐̃͐͌̆̀̀͂͜͜͜͜͜͜͜͜͜ͅͅͅͅͅạ̵̢̡̡̧̡̢̨̛̛̹̤̝̦͓̭̯̪̲̪̜̘͎͖͇̘̩̮̺̹̱̖͕͈̠̼̹͍̹̺̗̞̮̼̪͙̬͉̜͔̝̜̝̠̮͕͚̥͔̥͕̫̥̜̱̲̺͓̞̳̫̘̣̥̼̝̜͐̾͋̆͛͐̈́̀͑̂̽͊͑́̑́̅͌͂͆̇̎̔̊̃̾̇̓̓̌̎͆͛͌̒͗̀̌̊͆̒̾̏͛͂͋̔͆̊̔̌͒͌̃̆̉̃͌̾̿̅̏̉̎̇͆̿̇̔̾̂͌̅̒͛̎̄̄͛͌̈͆͆̏̂̐̎̉̏̇͗͗͆͒̎̂̽͐͗́̓͋͑̇̋͒͆̎̊͌͗̒͊̀͗̐̎̉͊̍̒̾̋̇̂̉̓̈̄́̕͘̚͘͘̕̚̚͘̕̕͠͝͝͝͝͝͠͝͝͠͝͠͝͝͝r̴̡̡̨̡̢̡̨̨̢̛̛͈͓͚͎̩̬̹͓̰̠̭̙̟̜̹͖̯͔̬͚̖͍̪̤̥̰̫͍̭̹̖̹̻̺̼̬̺͓̣͙̞͎̬̮̭̘̻̘͉̫̹̬͚͐̐̇̐̊̓̾́̇̿͋̀͂̍̄̈́͌̍́̈́̒̔̈́̂̃̽̆̈̋͊́̿̾̊͊̓͑̂̒̈̏̎͌̄̃̇̈́͐̾͋̀͆́̂̃̐̾̐̊̈̈̽̎͋̿̽͑̉̐̕͘̕̕͜͠͝͠͠͝͠͠͠͝͝ͅͅ

Matt Christman makes a triumphant return to the show to hold forth on the finest American film ever made, Nothing But Trouble! Hear the whole fuckin’ thing at our Patreon!

Want that feature-packed blu-ray? Get it at Shout Factory.

You can also hear our earlier take on Nothing But Trouble with guest Mike Rosen aka @ bitterkarella on Twitter!

119 – Siesta

Jen welcomes Julie (@ chimericalgirl1 on Twitter) to celebrate an almost entirely forgotten erotic thriller with art house ambitions, Siesta, from 1987. This one’s quite overlooked in spite of a stacked cast that includes Ellen Barkin, Gabriel Byrne, Jodie Foster, Julian Sands, Grace Jones, and Alexei Sayle.

Hear the whole episode at Patreon!

We admit, this one’s hard to track down unless you’re willing to hunt for PAL and/or bootleg DVDs, but you can hear some of the sultry Miles Davis/Marcus Miller soundtrack!

If you love Julie as much as we do, listen to our episode on Yes concert film 9012Live!

118 – Martin

John Amplas in the titular role of George Romero's Martin (1976)

Tim and Jen welcome show mascot Mike Rosen (@ bitterkarella on Twitter) to talk about George Romero’s melancholy 1976 vampire masterpiece, Martin.

Read a 2020 interview with lead actor John Amplas, in which he reminisces about Romero and working on Martin.

Some exciting news that broke the day we recorded this episode— the 3-hour black-and-white director’s cut of Martin has been found!

Info on Martin (1976) found director's cut

Check out Mike’s satirical horror microfiction account Midnight Pals on Twitter, as well!

117 – The Town That Dreaded Sundown

The killer claims another victim in The Town That Dreaded Sundown (1976)

Jen and Tim discover two Arkansas originals: The Town That Dreaded Sundown from 1976, and indie film pioneer Charles B. Pierce!

Hear the entire episode over at our Patreon!

Amanda Squitiero, daughter of Charles B. Pierce, corrects some misconceptions about him in this fine article from Filmmaker magazine.

116 – Faces of Death

Tim and Jen confront the most infamous mondo film of all time, Faces of Death! Hear the entire episode over at our Patreon!

Faces of Death may be viewed in its entirety on Tubi.

Echoing Jen’s experience in high school auto safety, two students were traumatized after their math teacher showed the film in class in 1985:

“The people at the table,” says Forget today, “beat this monkey over the head with a hammer until it died. Then they cut the top of its head off and ate its brains.” As an animal-lover, she found the film deeply disturbing and asked to leave. Mr Schwartz said no and when Feese also tried to go, he forced her to sit down, grabbing her chair and spinning it aggressively towards the screen.

via The Guardian

Schwarz was disciplined, but with only a 15-day suspension without pay.

For more upsetting reenacted violence, check out our episode on Farewell Uncle Tom! OR if ambiguously fake snuff is more your speed, try our episode on Trent Reznor’s Broken movie!