155 – Season of the Witch

In a frame from George Romero's 1973 film SEASON OF THE WITCH, actress Jan White sips from a cocktail while rocking frosty eyeshadow and an astonishing beehive hairdo
Female self-actualization = giant hair

Jen and Tim attempt to purge the lingering memory of a certain occult-y art film with a viewing of an early George Romero work, Season of the Witch.

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In case you had no idea what he was getting at, Tim’s latest thing is calling Chantal Akerman’s feminist classic Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles “the Jean Teasdale movie.” 

Marxist art critic John Berger’s analysis of western media, Ways of Seeing, is available on YouTube. He casts a critical eye on the depiction of the female nude in European oil painting in the second episode. 

Men dream of women, women dream of themselves being dreamt of. Men look at women, women watch themselves being looked at. Women constantly meet glances which act like mirrors, reminding them of how they look, or how they should look. Behind every glance is a judgement. Sometimes the glance they meet is their own, reflected back from a real mirror.

John Berger, Ways of Seeing

118 – Martin

John Amplas in the titular role of George Romero's Martin (1976)

Tim and Jen welcome show mascot Mike Rosen (@ bitterkarella on Twitter) to talk about George Romero’s melancholy 1976 vampire masterpiece, Martin.

Read a 2020 interview with lead actor John Amplas, in which he reminisces about Romero and working on Martin.

Some exciting news that broke the day we recorded this episode— the 3-hour black-and-white director’s cut of Martin has been found!

Info on Martin (1976) found director's cut

Check out Mike’s satirical horror microfiction account Midnight Pals on Twitter, as well!