Jen and Tim welcome returning guest Darren Herczeg to go to bat for an almost universally loathed Netflix feature, Blonde. Naturally, the trio revel in the film’s grotesque and overt misogyny while twirling their mustaches.
The Daily Beast has details of Emile Hirsch’s attack on a Paramount executive at a Sundance party, although the headline’s assertion that he “starred” in Once Upon a Time in Hollywood is a slight exaggeration (he had a small part as man-about-town hairdresser and murder victim Jay Sebring).
For their one hundred and fiftieth episode (!), Jen and Tim welcome animation expert Jerry Beck to talk about the worst cartoons ever made and the Monkees’ super freak out, Head!
Jacques somewhat confused the timeframe of Whoopi’s brief relationship with Ted Danson. They had an affair on the set of the 1993 film Made in America, and the infamous Friars Club blackface bit occurred in the fall of that same year. Ted and Whoopi dated until 1994; they moved on with Mary Steenbergen and Frank Langella(!), respectively.
The “Barge Arse” clip Tim referred to may be viewed here.
We talked about Money Movers director Bruce Beresford way back in our episode about flop anthology film Aria, and Jen would like to formally apologize for calling him a “genteel hack.”
No truer words were spoken about this movie than “So Fucking What.” Jen and Tim welcome Bryan Quinby of Street Fight Radio to talk about a justly forgotten 90s something-or-other called S.F.W.
Jen was wrong about Juliet, incidentally— she was intended to be about 13 or 14.Romeo was 16 or 17, though, so obviously the play is problematic due to the age gap and Shakespeare is still cancelled.
The name of the teenaged girl school shooter Jen failed to recall is Brenda Spencer. She committed the Cleveland Elementary School shooting in 1979, and she is still incarcerated.
Jen got the date of the crash of Air Florida flight 90 wrong— it happened in January of 1982.
“The comment that brought Howard Stern his most notoriety during his time on Washington, DC radio in the early ‘80s was the infamous Fourteenth Street Bridge Incident. As morning man at ‘DC101’ WWDC, Stern was reacting to the Air Florida flight that crashed into the bridge in February 1982. ‘What’s the price of a one-way ticket from National to the Fourteenth Street Bridge?’ he asked. ‘Is that going to be a regular stop?’”
Also Stern did not call the actual Air Florida ticket counter, because as most of us know, talk radio prank calls are faked. Just ask Bryan of Street Fight Radio! In fact, you can hear a deep dive into shock jocks for a pledge as low as $1 over at the Street Fight Patreon!
hey who did this cool artwork? someone named Jennifer Albright!
This monster isn’t actually in the film, I just thought the art was sick
Have You Seen…All Possible Worlds?! Tim and Jen team up with Josh and Brian of The Worst of All Possible Worlds podcast to discuss a wretchedly stupid British horror film starring Roddy McDowall called It! No, not that one. This one came out in 1967 and involves a golem that looks like a wet trash bag.
Dennis Bartok and Jeff Joseph’s A Thousand Cuts: The Bizarre Underground World of Collectors and Dealers Who Saved the Movies is a fascinating read about the days of analog movie bootlegging, a must for any film buff. Read an excerpt about the Roddy McDowall film piracy case over at ScreenAnarchy (you can also buy the book directly from University Press of Mississippi). And yes, to answer Josh’s question from the episode, the MPAA (now the MPA) was one of the driving forces behind the crackdown as a proxy for the major film studios.
The documentary Jen failed to remember the name of is Recorder, which is the story of an activist named Marion Stokes who obsessively taped the news 24 hours a day, 7 days a week and thus amassed a library of 70,000 cassettes.
In 2005, Dr. David Pilgrim wrote a powerful essay about the collection that became the foundation of the Jim Crow Museum at Ferris State University in Big Rapids, Michigan. In “The Garbage Man: Why I Collect Racist Objects” he reflects on the emotional toll collecting exacted on him, as well as the anger and sadness the objects still inspire and the lingering stain of anti-black bigotry in the United States.
Kit Rae’s exhaustive fansite may be the definitive document on The Keep at this point, but there’s also a documentary more than ten years in the making on the same subject. You can follow the filmmakers for updates on Twitter!
